Liste des produits par marque FABER AND FABER

Alan Bennett is the acknowledged master of the television play. This vintage collection of his work from the 1970s illustrates his skill and mastery of the medium from the beginning. Perceptive, poignant, truthful and very funny, the work here gives as much enjoyment in the reading as it did in the viewing, and provides a welcome addition to the Bennett canon.

Rudolph Valentino was the silver-screen legend who for ever changed America’s idea of the leading man: a frightened young fellow who became the cinematic sex-god of his day. In this definitive retelling of Valentino’s short and tragic life – the first fully documented biography of the star – Emily W. Leider looks at the Great Lover’s life and legacy, and explores the events and issues that made him emblematic of his time. Valentino was reviled in the press for being too ‘feminine’ a man; yet he also brought to the screen the alluring, savage lover who embodied women’s darker, forbidden sexual fantasies. In tandem, Leider explores Valentino’s experience as an immigrant who became a celebrity: the silver screen’s first dark-skinned romantic hero.

What does a movie producer actually do for a living? Is ‘producing’ any more than writing cheques and smoking fat cigars? Helen de Winter, herself an intrepid young producer, discovers a job that requires the combined skills of a wheeler-dealer, a diplomat, a stern but doting parent, and a clinical psychiatrist.

Shoot Out is about how movies are made – from the first pitch to the final cut. For film buffs, aspiring film-makers, students and anyone else intrigued by the inner workings of Hollywood, this is the quintessential take on the how, who, what and why of the film business.

Adventures of a Suburban Boy is film-maker John Boorman’s vivid memoir of writing and directing films such as Deliverance and Excalibur, and working with Sean Connery, Helen Mirren and Burt Reynolds.

Oscar-winning director Steven Soderbergh’s ‘unauthorised sequel’ to his debut hit sex, lies and videotape is an exhilarating romantic comedy set in Los Angeles and featuring a stellar cast.

Stan Laurel and Oliver Hardy both passed away in the 1950s, yet their films still have the power to reduce audiences old and new to helpless laughter. There has been no comprehensive account of their lives and work, until now. The roots of their comic greatness lay in 19th century variety theatre. Lancashire-born Stan Laurel was steeped in the traditions of the music hall, and found himself touring the USA in the 1910s as Charlie Chaplin’s understudy. American Oliver Hardy had established himself as a ‘fat funny man’ by the time he and Laurel were first paired in 1927.

‘A relentlessly entertaining insight to the most talented actor of his generation.’ Guardian

‘Revealing… comprehensive and impressive… Richard Kelly has done an excellent job.’ Sunday Telegraph

‘Highly readable… Essential reading for any admirer of the actor but also for those seeking a front-line account of American cinema over the past 25 years.’ The Herald

This is a wonderful secret history of British movies that includes the scandals, the suicides, the immolations and the contract killings – the product of thousands of conversations with veteran film-makers. Here you’ll meet, among many others, the 20s film idols snorting cocaine from an illuminated glass dance floor on the bank of the Thames, the model who escaped Soho’s gangsters to become the queen of the nudie flicks and the genteel Scottish comedienne who, at the age of fifty-five, reinvented herself as a star of exploitation cinema, and fondly remembers ‘the one where I drilled in people’s heads and ate their brains’. Welcome to the lost worlds of British cinema.

Alexander Mackendrick’s On Film-making is a masterclass in film-making from the acclaimed director of Whisky Galore and The Ladykillers.

An invaluable analysis of the director’s art and craft, from one of the most revered of all film school directors. Alexander ‘Sandy’ Mackendrick directed classic Ealing comedies plus a Hollywood masterpiece, Sweet Smell of Success. But after retiring from film-making in 1969, he then spent nearly 25 years teaching his craft at the California Institute of the Arts in Los Angeles.

A bona fide tough guy with soulful eyes and a laconic style, Robert Mitchum was one of Hollywood’s best-loved actors, star of such moody film noir favourites as Out of the Past, Night of the Hunter and Cape Fear, as well as enduring classics like Angel Face and Crossfire. But, as Lee Server now reveals, Mitchum was one of the few Hollywood icons whose real-life exploits were yet more compelling than his on-screen persona. A hobo in the Depression, he fell into movie acting after stints as a boxer, a beach bum and a songwriter. Despite early Hollywood successes, he was famously busted on a narcotics rap. But even prison couldn’t tame Mitchum’s taste for living on the wild side, and he remained an unrepentant misbehaver until the end of his days.

Writer-director Don Roos is one of the smartest voices in new Hollywood cinema: witty, acerbic, and brilliantly observant of human foibles and frailties. Here, collected for the first time, are the screenplays of his hit comedies Bounce and The Opposite of Sex.